June 7th - 9th, 2002
Schedule of Events
Note: Owing to our rather late securing of the site for 2002, currently we have four tracks; one will be held in a very large rental tent outside of the building, unless it is sunny--in which case the instructors may opt to go outside.
We are currently looking at adding a fourth track; if we get solid
commitments from several interesting instructors then we will certainly
open a fourth one--and rent another super-large tent, if needed.
Friday, June 7th, 2002
| 8:00 - 9:00 | Registration & Continental Breakfast |
| 9:20 - 10:00 | Y2001
in the Western Martial Arts
Brian R. Price, Schola St. George
|
|
|
|
|
|
|
|
| 10:00-12:00 |
Lunch available 12:30(included!) |
Master Liechtenauer's Art of the Longsword
"Secrets of German Medieval Swordsmanship" |
Sword & Buckler of Achille Marozzo William Wilson
Author:
|
Michael Cawelti
|
|
| 12:00-12:30 | |||||
| 12:45 - 2:45 |
|
Backsword Techniques of the 17th - 19th centuries Meastro Paul MacDonald MacDonald Academy
|
Bad Rapier: The English Solution Stephen Hand Stoccata School of Defense AUSTRALIA |
Pete Kautz
|
Jim Alvarez
Gus Trim
|
| 3:00 - 4:30 |
|
Master Liechtenauer's Art of Halfswording Christian Henry Tobler
|
Introduction to the Smallsword
AHF
|
Fiore dei Liberi
Bob Charron
Author:
|
Gereg J. Muller Silk Road School of Defence
|
| 4:45 - 6:00 |
Drills for the development of Indes and Fuhlen Brian R. Price
|
Steaphen Fick Davenriche Academy of Armes |
Single-Handed Sword continued
|
Gereg J. Muller
|
|
| 6:00 - 7:30 |
Vendors may stay open |
||||
| 7:30 - 8:30 |
|
unarmoured "blossfechten" |
|
||
| 8:30 - 10:00 |
(if needed) Open Sparring |
|
|
Saturday, June 8th, 2002
|
|
|
|
|
||
| 8:00-9:00 |
|
|
|
||
| 9:00- 10:45 |
|
Andrew Deane Royal Armouries Leeds, UK |
William Wilson
|
Steaphen Fick Davenriche Academy of Armes |
Dale Seago
|
| 11:00 - 12:45 |
|
Armoured Longsword in Fiore dei Liberi Bob Charron
|
Maestro Sean Hayes
|
Maestro Paul MacDonald MacDonald Academy
|
Japanese Naginata Miyako Tanaka |
| 12:45 - 1:30 |
Vendor's choice |
Vendor's choice |
Vendor's choice |
|
|
| 1:45 - 5:30 |
|
Grand Pas d'Armes Don't miss it! |
Grand Pas d'Armes Don't miss it! |
|
|
| 7:00 - 11pm |
Chivalry, Tournaments & Fighting Roundtable Forum ALSO
|
Sunday, June 9th, 2002
|
|
|
|
|
|
|
|
|
Vendors may open |
Stephen Hand
|
The Spanish Style
Martinez Academy of Armes |
Pete Kautz
|
Tom Leoni |
|
|
|
|
|
|
Tom Leoni |
|
|
|
|
|
|
Tom Leoni |
|
|
|
|
|
|
Tom Leoni |
|
|
|
|
|
Session Descriptions
![]() ![]()
Opening remarks & Group Presentations (Friday, 9:30am): Brian R. Price, Schola St. George, SSI Christian Tobler, Order of Selohaar . |
|
Andrew Deane Fight Reconstruction Expert Royal Armouries, Leeds Demonstration of the fighting techniques employed by the Royal Armouries at Leeds |
|
Fiore
dei Liberi's Spada dun man - employing the sword one-handed in the Fior
di Bataglia (Flos Duellatorum) (3 hrs):
Bob Charron, St. Martin's Academy The class will being with a brief introductory presentation on the premises and themes of the approach and the techniques contained in the treatise. Following this a series of drills and single techniques will be practiced and built upon until a basic understanding of the defense, offense, footwork, grappling principles and disarms of Fiore's style is reached by the student. Having practiced each of the techniques present in the manual, and after being briefed in the underlying themes of the approach, the student then has the tools to continue his study of Fiore's system in an informed manner. All work will be done slowly. Wooden wasters are required. Gloves are recommended. |
|
|
|
Introduction
to Marozzo's Sword & Buckler (Friday 10:15 - 12 noon):
William Wilson, Tattershall School of Defence Intro to Marozzo's Sword and Buckler: This class will introduce the student to the philosophy of combat as wriiten by Achille Marozzo. The various types of bucklers will be discussed and the brocchiero piccolo in particular will be examined under Marozzo's system of combat. Students should bring a sidesword (a normal practice rapier will do for the exercises) and a hand buckler. |
Armoured
Longsword in Fiore de Liberi's Flos Battaglia (Flos Duellatorum) (1 3/4
hours):
Bob Charron, St. Martin's Academy The class will being with a brief introductor"Fiore dei Liberi's treatise, Fior di Bataglia, includes an excellent section on armored combat. Armored combat in the treatises, including Fiore's, is substantially different from unarmored combat, relying mainly on techniques from half-sword, thrusting and wrestling. The principles of Fiore's armored fight are based on certain and safe methods that are simple and reliable. The techniques are of a number and quality that they all can be thoroughly addressed in the time allotted for a single class period, with drills and repetition. Armor will not be required, though if you wish to wear it by all means do so. |
|
![]() |
Master
Liechtenauer's Art of the Longsword (Friday 12:30 - 2:15)
Christian Henry Tobler, Order of Selohaar This class is an introduction to the art of fighting unarmoured with the long sword as ensconced in the verses of Master Johannes Liechtenauer, the father of the German late medieval swordsmanship. Hands-on instruction will feature the five Meisterhau, or 'Master Strikes', as well as key concepts such as setting aside blows, binding, and winding at the sword. All of the material will be expressed through the four guards that frame the system, and as transitions from one guard to another. Participants will need only a wooden long sword if they wish to participate in the hands-on work. |
Bad
Rapier Fencing: The English Solution
Stephen Hand, Stoccata School of Defence Class Limited to 50 participants--sign up early! "George Silver, the famous English opponent of rapier fencing, complained that rapier fencing was too deadly, that the offense was more powerful than the defense. While Silver has been dismissed in this regard as a crank, he had actually identified a peculiarly English problem that arose because of the Englishman's stubborn refusal to use the rapier as the Italian masters had intended it to be used. The English fought in a style that virtually guaranteed double-kills and rather than give it it up or conform to Italian usage, one English Master--Joseph Swetham--developed a system built around the flawed way that the English fought. "So what does this have to do with you? Well, the majority of modern rapier fencers fighting in precisely the same flawed style as the English, for precisely the same reasons--they don't have Italian rapier Masters to teach them proper technique and they don't realize the danger they're placing themselves in. Therefore the same solution that Swetnam proposed is applicable to modern rapier fencers. If we insist on making the same mistakes as our ancestors we can at least use the same solution." |
|
| Physical Culture, Folk
Games, and Traditional Conditioning Drills
For the Western Martial Artist Pete Kautz, Alliance Martial Arts This is not your high-school gym class! Let me say that flat out, because some people have bad associations and “tune out” when they read words like “conditioning” or “fitness.” Have I just described someone you might even know? We all want to be healthy and in shape to “kick butt” at our respective martial art, but the question is how do you do that? People waste thousands of dollars on exercise equipment and gym memberships that only leave them thinner in the pocketbook. Others jump into fad diets or follow dubious advise from the Internet. Some give up entirely! What if I told you that the answers were right in front of you, and that in our rush to get more and more high-tech with everything (including diet and exercise) people had abandoned a lot of very powerful secrets as being outdated? What if I told you that this “old-school” training not only was good for your health, but also directly translated into martial skills, so that you were getting a two-for-one benefit in all your work-outs? Could it get better than that? YOU BET IT COULD! What if I told you it was lots of fun and wouldn’t hardly cost you a dime to get started? Would you want to learn more? I hope so! This class is a hoot and the more the merrier! We will be exploring a number of traditional European and American folk games, 18th and 19th century physical culture, breathing exercises for power, speed, and internal strength, and the conditioning workout all those clowns on late night TV hope you never hear about…because once you know it you will realize what crap those exercise machines they sell really are! Please bring a bandanna, a rope or martial arts canvas belt, and
a stick or staff if you are able! The more people who have these,
the better for the whole class.
|
|
Staff
Drills for the Development of Indes & Fuhlen
Brian R. Price & Robert Holland, Schola St. George One thing *not* included in the fechtbucher are basic drills needed to teach elements of balance, focus awareness and, perhaps most importantly, the concepts of what the German school would call "Indes" (very loosely, initiative) and "fuhlen". These central concepts are often glossed over by students who stampede far too quickly towards the exotic fechtbuch technique--the problem is they never really learn to fight. In this mix of lecture and hands-on practicum students will through the use of drills by the Schola St. George and our friends in other schools to reinforce basic skills of balance, awareness and focus, while at the same time integrating the concepts of "feel" and "initiative" into the student's perception of the fight. |
|
Introduction
to the Smallsword
Jeannette Acosta-Martinez Description TBD |
|
|
Extrapolated Techniques for the Scottish Dirk Dale Seago, Bujinkan San Francisco We have proposed to our own local Dale Seago that he present a course in "practical" work with the dirk, a topic we hope to pursue in book-form with him over the next several months. |
|
| Space Held - Course TBD | |
| Space Held - Course TBD | |
| Backsword Techniques
of the 17th - 19th centuries
Paul MacDonald, MacDonald Academy (Edinburgh, Scotland) The primary weapon of Paul's Edinburgh Academy, Paul will be teaching this amazingly useful skill and will bring a supply of singlesticks needed for the course. |
|
| Rapier Prize Playing
Tattershall School of Defence Rules to be posted... |
|
| "Vespers" Tournament
Company of Saint George / others TBD What is a "vespers" tournament? In some medieval literature, there is evidence that the simple country knights and squires would engage in a kind of "preliminary" tournament before the rebated tournaments the next day. Given that the WMA community has very few fully armoured combatants, the Schola St. George proposes to hold a "blossfechten" (unarmoured) tournament concurrent with or after the Rapier prize-playing, giving unarmoured combatants a chance to develop their skills in a medieval, competitive environment. Rules, armour and weapon standards to be published--but the standard will employ the Chicago Swordplay Guild training swords, a helmet and throat defense, gambeson and some form of gauntlet. |
|
| Creating Authentic
Swordplay for the Screen
Michael Cawelti, Albion School of Defence Bob Charron, St. Martin's Academy Creating Authentic Swordplay for the Screen" Michael Cawelti, of the Albion Schoole of Defense, teams with Bob Charron, of St. Martin's Academy, to create an unique class where the Western Martial Arts are utilized in the creation of a choreographed fight for film. Too often have Western Martial Artists, Fight Directors, and audiences bemoaned the lack of authenticity in filmed fights scenes. This workshop intends to discover the keys to creating exciting, story-driven choreography using the fight techniques of Fiore dei Liberi . Scholars will team with a partner and learn a realistic piece of choreography in the style of Fiore dei Liberi, filtered through the safety and dramatic techniques of stage combat. Scholars are encouraged to come in costume, and bring a longsword suitable to engage with another blade. Wooden wasters are appropriate. The choreography will be worked up to near performance speed and filmed by a camera crew. Scholars who bring a blank VHS tape will receive a copy of their performance at the end of the session. |
|
|
|
Marozzo
Sword & Buckler II
William Wilson, Tattershall School of Defence Marozzo II: This class is an extension of the first sword and buckler class. In this class we will talk about sword and dagger and single sword. The students will take part in practical exercises to hone their skills at sidesword combat. |
![]() |
Master
Liechtenauer's Art of Halfswording
Christian Henry Tobler, Order of Selohaar This session builds on the concepts of the long sword and explores how those concepts are applied to fighting in armour with the half-sword. Half-sword fighting involves grasping the middle of the long sword's blade with the left hand so that the sword becomes essentially a short spear. The weapon is then used to seek out gaps in the opponent's armour with powerful thrusts, to strikes with the pommel, and to throw the opponent to the ground with hooking actions. Participants are strongly encouraged to attend the Liechtenauer Long Sword session first and will need a wooden long sword waster to take part in the hands-on portions of the session. |
| Mindset & Spirituality in the Western
Martial Arts
Paul MacDonald, MacDonald Academy (Edinburgh, Scotland) Description TBD |
|
| Cutting Workshop
Sponsored by Jim Alvarez of the Mugan Dachi company and Gus Trim, Master Swordsmith. How good is your technique? Without test cutting, many would-be swordsmen are lured into a false sense of security. Japanese swordsmen have, for centuries, used Tatami mats for test cutting. Jim Alvarez of the Mugen Dachi company will provide a FREE MAT for each class participant, so that you can hone your skills under the watchful eye of an experienced master. He will be joined by Gus Trim, a longtime cutting-practice advocate in the European community; here East meets West for some good old-fashioned slashing. |
|
| Combat with Two Swords
Gereg Muller Jones Silk Road School of Sword and Self-Defence The use of two swords in tandem is viewed in widely different lights in different cultures: Musashi specified it as the way to learn the use of a sword in one hand, while others are quick to condemn double-sword as a fool’s fight. There are those who regard the practise as a sort of high-level master’s trick, while some stylists regard it as a basic method of balancing qi. Located in the mountains above Santa Cruz, the Silk Road School of Sword and Self-Defense bases its core training style on double-sword technique. Gereg Jones Muller of the SRS will lead a session opening up effective approaches to the use of two swords, focusing both on the differences between sword types from various cultures and the basic underlying principles which apply to all paired swords. Included will be exercises on: natural footing; blade coordination; two blades as one weapon; the rhythm of a fight; awareness and use of the centre line. Students should bring gloves and paired practise weapons (e.g. shinai, HACA-style contact-swords, wasters, bokken, etc.). Full-speed sparring and partnered drills at speed (strictly optional) will require the appropriate protection for the style of practise weapon in use. Steel weapons are preferable for some individual exercises, but are not required. From Renaissance Faires to back yards, from parks to classrooms,
Gereg has been teaching people double-sword styles for over twenty years.
It’s been somewhere upward of thirty years, by the most conservative estimate,
since his own childhood preoccupation with swords and self-defense techniques
evolved into serious study. He has trained with combat veterans,
formal stylists both Eastern and Western, historical reënactors, SCA
and street fighters, in a variety of international weapon and empty-hand
styles.
|
|
Grand
Pas d'Armes (Saturday, ~1:45pm): The event's centerpiece, the armoured
tournament is intended to be a grand celebration of arms with a new format
designed to combine the experience of tournament companies and the needs
of Western Martial Artists. Members of the Company of Saint George and
others will defend the field in a challenge format conducted a plaisance.
Weapons of the behourd will be emphasized but experimenatation with expanded
targets, limited binds, blade-grabbling will be allowed. Additionally,
combatants with expience in rebated combat are invited to challenge other
so-designated opponents to demonstrate their form of combat in the formalized
atmophere of the pas d'armes. Combats will be of counted blows or combatant-determined
defeat--rather than being judged. Medieval clothing and harness are required. |
|
| Medieval Style Dinner (Saturday, ~7pm): Details TBD. Vegetarian options will be available with each remove. During the meal the feats of the day will be recounted. Further discussions led by the Schola St. George will center on the role of chivalry and tournaments in the context of medieval martial arts. There is a fee of $12.50 for the dinner. | |
|
ALL DAY IMMERSION CLASS $10-$20 donation requested
|
|
| ALL DAY IMMERSION CLASS
$10-$20 donation requested
Description TBD |
|
| ALL DAY IMMERSION CLASS
$10-$20 donation requested Medieval Unarmed and Knife Techniques
Many of the medieval masters felt--as do many modern WMA teachers--that the fundamentals of swordsmanship lies in solid basics built with unarmed and knife techniques. Pete Kautz brings his extensive experience to bear with a whole day immersion that will serve as a strong foundation for the study of the Medieval and Renaissance sword arts, delivered with useful drills and with applications for the modern, post September 11th world. Class Limited to 50 participants--sign up early!
|
|
| ALL DAY IMMERSION CLASS
$10-$20 donation requested The rapier of Fabris I
In the true spirit of Fabris, this course will help channel every movement of the body and the sword into a clear and specific tactical purpose, and will be concentrating equally on theory and practice. Plenty of drills (solo and with partner) will give everyone the opportunity to learn each technique, execute it with style and integrate it with the rest of the system. Roughly two thirds of the course will focus on rapier alone, with the remainder devoted to rapier and dagger. Equipment needed: practice rapier, three-weapon
fencing mask, fencing jacket or doublet, fencing gloves, cup/breast protector.
Gorget highly recommended.
|
|
| PROPOSED
Properties of Quality in Medieval and Renaissance Swords:Angus Trim, supplier of high-quality medieval blades, will discuss quality in medieval and renaissance weapons, debunking common myths and providing key elements of "what to look for" when looking for quality in a working blade. |
|
| Swordsmanship of Joseph Swetnam
Steaphen Fick, Daveniche Academy of Armes (San Jose, CA) Description TBD |
|
| Teaching Lady Combatants Swordsmanship
Steaphen Fick, Davensriche Academy of Armes (San Jose, CA) Description TBD |
|
19th
Century Italian Dueling Sword
Meistro Sean Hayes, Northwest Academy of the Sword An introductary workshop to Italian Dueling Sword techniques. Instruction is based on the Scuola Magistrale di Scherma, with additional material from Aurelio Greco's 1907 book "La spada e la sua applicazione" (The Sword and its Application) and Masaniello Parise's 1884 text "Scherma da terrano" (Fencing on the Terrain). The workshop will emphasize conservative dueling techniques selected from the repertoire of the classical Italian schools, not sporting techniques. Bring standard fencing kit, (mask, jacket,
gloves, fencing nickers or sturdy, loose pants) and weapon. Italian or
French Epee preferred, foils acceptable. Please, no orthopedic handles.
Contact mailto:hayes@efn.org with any questions.
|
Vendors | Schedule of Events | Registration| Overview
Pas
d'Armes | Armour
& Weapon Standards
Fencing
Tournament Rules
Schola
St. George
Brian R. Price
4226 Cambridge Way
Union City, CA 94587
510.471.2944 h